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Cosmo George Leipoldt Pieterse (born 1930, Windhoek, Namibia) is a South African playwright, actor,〔(Melanie J. House, "Their Place on the South African Stage: The Peninsula Dramatic Society and the Trafalgar Players" (dissertation) ), Graduate Program in Theatre, The Ohio State University 2010.〕 poet, literary critic and anthologist.〔Donald E. Herdeck, ''African Authors: a companion to Black African writing'', 1973, p. 344.〕 ==Education and career== Cosmo Pieterse went to the University of Cape Town and taught in Cape Town until leaving South Africa in 1965. He was banned under the Riotous Assemblies Act of 1962.〔Alex La Guma, ''Apartheid: a collection of writings on South African racism by South Africans''. New York: International Publishers, 1971, p. 76.〕 He subsequently taught in London and at Ohio University in the United States:〔Hans Karssenberg, (City Poem 67- Cape Town ), 1 January 2004.〕 arriving at Ohio University in 1970, he became a tenured faculty member in 1976. However, after travelling to meet his London publisher in 1979 he was denied re-entry to the US on classified information, allegedly for being "a suspected communist".〔John Shattuck, "Appendix A. Federal Restrictions on the Free Flow of Academic Information and Ideas", in Association of Research Libraries, ''Minutes of the Meeting, Issues 107-109'', p. A.28.〕〔(Selwyn Cudjoe, "In tribute to Nelson Mandela" ), ''Trinidad Express Newspapers'', 16 December 2013.〕 In London Pieterse worked for the BBC World Service at Bush House in the later 1960s and early '70s.〔(Lindsay Johns, "In Memory of Bush House... on the day the home of the BBC World Service closes its doors for the last time" ), ''Mail Online'', 12 July 2012.〕 Also an occasional actor, he appeared in ''The Burning'', a 1968 30-minute short drama film directed by Stephen Frears.〔("The Burning (1968)" ), IMDb.〕〔(Joe Bendel, "United We Stand: South African Cinema During Apartheid" ), 5 April 2011.〕〔("Burning, The" ), Complete Index To World Film.〕 As a poet, Pieterse has been characterised as producing work that is very "European in its tone, metaphors, and delivery", as Laura Linda Holland writes: "Cosmo Pieterse's poems, like those of Brutus, are heavily inundated with Western influences, concerns, and motifs while retaining a definite African bias....Cosmo Pieterse uses his love of words to create poetry of hope and renewal."〔(Holland, Laura Linda, "A Critical Survey of Contemporary South African Poetry: The Language of Conflict and Commitment" (1987) ), pp. 41-43. Open Access Dissertations and Theses. Paper 5964.〕 Pieterse edited several anthologies of plays and poetry for the African Writers Series published by Heinemann. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Cosmo Pieterse」の詳細全文を読む スポンサード リンク
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